The talented musician, one half of the pioneering 1980s electronic music band Soft Cell, has passed away at the age of 66.
Alongside singer Marc Almond, the duo scored a worldwide hit with their version of Gloria Jones' Tainted Love in the mid-80s, and their debut album their initial full-length release is regarded as a classic of synth-pop.
He subsequently founded the pioneering techno group The Grid, who secured popular acclaim with 1994's Swamp Thing.
Ball passed away peacefully in his rest at his home in London on October 22, just weeks after playing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.
During that performance, Ball performed in a wheelchair, as he had for the previous couple of years, after a period of ill-health.
"I ended up damage myself quite a bit," he stated in a recent interview. "I broke lower vertebrae in my back and cracked about multiple ribs and broke my wrist."
After catching pneumonia and developing sepsis, he was placed in an induced coma and stayed in the hospital for seven months.
Nevertheless, he had been in "high spirits mentally" over the warmer months, as he was developing a fresh record with Almond, titled Danceteria, which is set for publication next year.
"He was focused and so happy with the latest project that we literally completed only a short time ago," said the singer in a heartfelt message.
"It's truly heartbreaking as 2026 was all set to be such an uplifting time for him, and I take some solace from the fact that he listened to the finished record and felt that it was a masterpiece."
Almond referred to his collaborator as "an exceptionally talented musical genius", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.
"Thank you Dave for being an significant part of my life and for the songs you gave me. I wouldn't be where I am without you."
Richard Norris from The Grid, also paid tribute, recalling Ball's "endless laughter" and "steadfast support".
"Forming a duo with someone is distinct from joining a group, the bond is incredibly close," he continued.
"That was the case with us. We experienced so many extraordinary, incredible, life-affirming experiences together. Thank you, Dave."
Brought into the world into a one-parent family in Chester in the late 50s, Ball was put up for adoption when he was 18 months old.
He was raised in Blackpool with adoptive parents Donald and Brenda Ball, who changed his given name from Paul to David, alongside his sibling Susan, who was similarly welcomed.
He encountered Almond at an art college in 1977, where they were both studying fine arts. Fuelled by a shared love of Northern Soul, they formed Soft Cell the very year, and promptly recorded an extended play.
The pair were an distinctive combination: Ball was the reserved musician, bent over his keyboard, while Almond was a flamboyant performer, all sparkle and makeup; but they achieved a unique musical alchemy.
Ball had cultivated a interest with synthesizers after watching the band Kraftwerk appear on a television program Tomorrow's World, and started to combine moody electronic sounds to the soaring melodies Almond was composing.
Their signature song became the United Kingdom's second most popular song of the early 80s, selling 21 million units worldwide. Alongside hits by other artists, Human League and electronic acts, it helped cleared the way for the electronic music style of the 1980s.
The track was also included on their first album, Non-Stop Erotic Cabaret, which produced two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.
They followed the record up with the stand-alone single, Torch, which reached at the second position in 1982.
Fame had its upsides. "I enjoyed being able to afford my initial property, having financial security and exploring, which might seem like a beauty queen," Ball not long ago shared with a music magazine.
But it also presented problems. "Newfound wealth meant we could afford substances to alleviate the monotony" of media interviews and TV performances, Ball said.
"I realize that's a common saying, but it's a truism for a good reason, because it applies for so many musicians."
During the hedonistic lifestyle, the duo were also growing distant, but they managed to create a follow-up classic album - the unconventional, edgy and fittingly named The Art Of Falling Apart.
They put out one more album, 1984's This Last Night In Sodom, before ending the band to focus on individual endeavors.
Almond proceeded to have a successful individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with ambient pop over a long-lasting partnership.
Soft Cell reunited in the early 2000s, releasing the Top 40 album Cruelty Without Beauty.
Following another hiatus, they reappeared in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the O2 Arena on 30 September, that year.
Yet, they remained active, creating their latest project, Happiness Not Included, during the pandemic Covid lockdown.
Ball recently characterized the band's upcoming release as a homage to the NYC nightlife they frequented while recording their initial records.
He added that his period in hospital had shaped the band's sound.
"I experienced strange recollections when I was coming and going of hospital because I was on pain medication," he told a publication.
"Our latest tracks are a electronic representation of the sounds in my head from that time.
"Simultaneously, it's about the times we had in the 80s."
The last versions were completed only days before Ball died. It is scheduled for release in Spring 2026.
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